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Music and the
TRANSCEND Method
By
Dr.
Olivier Urbain
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The T:AP (TRANSCEND:
Art and Peace) Music Project is a group of
musicians devoted to the promotion of peace
through music. What is special about our
group is that we base our work on a clear
definition of peace, namely that proposed by
TRANSCEND founder and director Johan Galtung:
the capacity to transform conflicts with
nonviolence, creativity and empathy.Squarely
looking at the reality of conflicts in our
daily lives and throughout the world, we try
to use music to enhance those qualities that
enable people to transform conflicts in the
best way possible. Our project is an attempt
to answer this question: How can music
promote conflict transformation by enhancing
nonviolence, creativity and empathy
The members of the T:AP Music Project
featured in this article agree that the
TRANSCEND method has given them a greater
sense of purpose, making peace a more
concrete goal. The mission statement of the
T:AP Network also contributes to our sense
of unity: To
T:AP into the human potential for peace by
supporting creativity and the arts.
Collaboration
Each of us finds renewed inspiration in
numerous collaborative endeavors which have
developed as a result of our involvement
with the T:AP Music Project network. To
illustrate some more how the T:AP project
works, I will now introduce some of its
members.
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Maria Elena Lopez Vinader
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Maria Elena Lopez
Vinader is the international director of
Music Therapists for Peace, and she has a
radio program entitled ?Imagine, Peace Is
Possible? in Argentina. Invited guests
express their concerns about the world, and
music that validates diversity is played.
Various members of the T:AP Music
Project team have called in to the show,
expressing their opposition to violence or,
in the case of Mohammad
Iqbal Behleem from Pakistan, explaining
Islamic culture and its own tradition of
nonviolence. Mohammad and Maria Elena have
also collaborated to write a song entitled
War Is a Crime Against Humanity.
Maria Elena plays the piano and uses sound
in music therapy. She describes how being a
music therapist for peace means finding ways
to help people on a larger scale to be ?in
tune? for peace, and to become ?actors?
effecting social change through music.
She comments, When we do music therapy, we
are practicing consciously or unconsciously
the TRANSCEND method for conflict
transformation. Very simply, this is because
empathy is one of the techniques or premises
of our work. We also call it a mirror, or
reflection, to acknowledge and accept
musically the other person s feelings and
emotions. Then we enter into a musical
dialogue which is always creative and of
course ?nonviolent,? transforming aggression
into accepted musical behavior. This gives
an opportunity for healing to occur and for
peace to be felt.
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Mohammad Iqbal Behleem
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Mohammad Iqbal Behleem
is a professional musician who creates music
for Pakistani television and other companies
in Pakistan. He has organized Muppet Theater
performances in 50 schools around the city
of Karachi, Pakistan. Mohammad designed an
original story and characters, created a
soundtrack with songs for peace, and made
the muppets himself. The main theme was the
importance of helping others, and the
response from children was very positive. He
has also created a nursery rhyme album with
children aged 5 to 10, with the theme of
peace and love.
He says,
As I share my music and my songs naturally
with people from all over the world, from
time to time a wonderful collaboration comes
to bloom. Recently, through T:AP, I met
Sumeet Grover, a poet and guitar player from
India, and the two of us are working on
reconciliation between our two countries
through music.
Transformation
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Rais Boneza
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Rais Boneza is an
artist and poet from Congo who is now a
student in Norway, where he is also the
director of the T:AP Refugees Project. Rais
believes artists should be more concerned
and involved in promoting peace, not only as
artists but also as citizens. The T:AP
Refugees Project for art, creativity and
cultural exchange offers a space where
refugees and immigrants from different
horizons meet together to express themselves
and promote peace, and find renewed strength
to adapt to their new environment. It is
also an arena where people who have
experienced traumatizing events (i.e.
refugees, internally displaced people,
orphans) can boost their esteem and
self-confidence and develop a common vision
for a positive transformation of their
society.
?As I am involved in African contemporary
dance, I decided to expand the power of
sounds by mixing different types of music,
to create a kind of dialogue between
cultures. With
Mohammad Iqbal Behleem, I am now working on
an interactive project with the aim of
creating music for peace. We believe that
with the tom-tom,kora
and
likembe
vibrating together with the
mihbaj,
buzuq
and the rababah,
we should even be able to stop and oppose
machine guns and other deadly weapons in the
world!?
Calling for Change
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Rik Palieri
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Rik Palieri is from
the U.S. He is a professional folk singer
and banjo player who continues the tradition
of activism established by Pete Seeger. His
emphasis is on encouraging people to get
along, and he has consistently used his
music directly to call for social change,
whether marching in picket lines or
antinuclear demonstrations, playing in
support of unions or environmentalism,
singing against the Vietnam War, the first
Iraq war, the war in Afghanistan or the
present situation in Iraq. He has also
performed his songs in 1,000 schools in the
U.S.
Rik describes how his fellow musician Pete
Seeger wrote on his banjo head This Machine
Surrounds Hate and Forces It to Surrender.
He adds, This process can even be done on a
bus: I was just getting back from touring
Alaska, and was ready to fly home when our
plane was cancelled. All the passengers had
to take a bus to Seattle and everyone was in
a real bad mood, especially the bus driver.
The bus drove off and I started plucking
away at my banjo, and in a few minutes, I
noticed everyone was humming along, and
before long the whole bus burst out in song,
even the driver!
The opportunities for synergy created by our
links through T:AP are many. We also aim to
make contributions to research into the
links between music and peace, as yet a
largely unexplored field in academic terms.
Maria Elena, Rais and I plan to present
papers on this topic at the International
Peace Research Association (IPRA) conference
in Hungary in July this year.
The TRANSCEND: Art and Peace Network was
established in January 2000. I never
imagined that four years later this idea
would have grown into a group of more than
80 dedicated people from all continents.
Amongst the different projects sponsored by
our network, the T:AP Music Project is where
people from diverse backgrounds can freely
express their passion for music and their
concerns about the world. It is truly
magical to see the interaction between the
members, such as those presented in this
article.
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